Aubrey Page

Creative Producer / Social Strategist

Los Angeles, CA

www.aubreypage.com
instagram @aubrey_page
linkedin

 

Q What do you do?

I make social video content that sticks. Sometimes scrappy, sometimes sleek, but always made with luv. <3
 

Q What steps did you take to get to where you are now?

Starting out in New York media during the “pivot to video” era will really teach you something about the power of being nimble. With a background in editorial and pop culture journalism, I had my first “something shifted” moment just six months out of college, realizing that I needed to figure out how to make video, and fast, if I wanted to keep up. Since then, I’ve learned to navigate everything from news war rooms to corporate tech summits, discovered the most efficient way to build a makeshift studio in a hotel room/conference room/alcove, and built a portfolio I’m really proud of.

Q How do you stand out in your field?

I pride myself on bringing fresh enthusiasm to every single project. I’ve been in this industry for almost 10 years, but my enthusiasm for doing the work has never waned. I believe in thinking like a newbie, delivering like an old pro.

Q What are you working on right now?

I currently lead social video at a corporate tech company – but I love taking on small projects to elevate creatives’ personal work; short films, books, art, etc. It’s the side projects that really make life sing, no?

Q What’s your style?

As much as I love making my own work, I discovered early that my greater passion is elevating people who are more talented than me. Got a passionate side project you’re getting off the ground? I wanna help you break your first 10K on Instagram. Your short film making the rounds online? Let’s make sure the right people get to see it. Currently I am assisting with the forthcoming release of “Like we could almost live forever,” an art book from the LA-based photographer Carlotta Guerra.

Q Out of all your slashies, which one do you wish you could do more often?

Creative direction and branding – folks usually end up putting the “what” (the thing they wanna make) before the “why” (the reason we’re making it to begin with). It’s amazing how differently a brief can turn out when you start from the right place.

Q What is frustrating you right now?

My hard drives are always chaos, despite my best efforts. I’ve developed a quarterly dump system but I still have the bad habit of filling my downloads with near-identically named files until I can’t tell my .pngs from my .movs. Perhaps the universe fears I’d be too powerful if I could actually keep my things organized.

Q If you could hire someone for $20/hour, what would you have them do to make your day easier?

I’d be eternally grateful to someone willing to scroll social for me. As much as I love the work, we all know it can really squeeze your brain dry to spend too much time rolling through your fyp. I’d love to get a crispy biweekly social report so I know what’s out there without having to get stuck in the muck.

 

Q What do you wish you could have told yourself, when, and why?

Just talk to them. I spent a lot of time at work parties and events as a 20-something quietly enamored by – and, by extension, terrified of – the creative people around me with ear cuffs, cool pants, and a killer portfolio. Now that I’m older, I mostly wish I could have reassured the younger version of myself that those people are likely warm, friendly, and more than willing to talk to you about their work. Strike up a conversation! Compliment their pants! Maybe you’ll learn something new.

 

Q If you could talk to an expert to gain more insight on something, what would it be about?

Graphic design principles. I love going font-hunting and building color palettes, but I have zero formal training when it comes to what looks good and why. I guess I should take this course, huh?

Q What kind of opportunities/projects are you looking for?

I want to empower people to find and develop their branding, creative voice, and content output whether we’re on a six-month contract or a one-off deal. I’m the go-to gal for putting together a powerful team to execute a creative vision but I’m also a great 1-1 consultant for finding what you wanna say and how you wanna say it.

Q Describe your ideal job/client/collaboration.

I'm looking for great work that deserves amplification. I love working soup to nuts as much as I like pitching on individual concepts. The joy is helping drive real traction for work that I think merits attention, no matter how niche.

Q: What is your rate?

Project rates typically start at a couple hundred bucks, but I always customize costs based on scope and level of interest. Email me and let’s talk it out!

Q How should someone approach you about working together?

Notarized letter delivered by hand. JK. Send me a note via email aubreypage.studio@gmail.com with the high-level details of your project! I’ll get back to you, I promise.

 
 

Q Who is a creative you admire?

Christian Klein – a crazy talented LA-local DP who I love working with
Hugo Faraco – a truly genius NYC-based editor
Caitland Conley - a brilliant NYC-based writer (and a dear friend)

Q Oh! and… how do you stay creative?

Take your airpods out. Inspiration abounds!


This member profile was originally published in May 2025.